NTXAUDITIONS.COM

Murder On The Orient Express


Director: Nicholas Zebrun
Presented by: Runway Theatre

Audition Start: Sunday, November 15th 6:00pm - 10:00pm, by appointment.
Audition End:
Audition Details: Please provide a printed Head Shot, Resume, and a complete list of any conflicts between December 6, 2026 - February 7, 2027. All auditionees will be doing cold readings. Sides will be provided.

Video submissions will be accepted but attending auditions in-person is highly encouraged. To submit a video, email publicity@runwaytheatre.com and nicholas.zebrun@gmail.com for details. Video submissions are due by Monday, November 16th at close of day.

Audition Location: Runway Theatre: 215 N. Dooley, St. Grapevine, TX 76051
Callback Dates:
Rehearsal Dates: Rehearsals will begin December 6 and run Sundays - Thursdays. Fridays and Saturdays are free until January. Sunday rehearsals will be 6pm - 10pm. Monday - Thursday rehearsals will be 7pm - 10pm. Depending on availability we might rehearse Christmas week and Sunday - Wednesday of New Year's week. There will be no exemptions for conflicts for Tech Week.
Performance Dates: January 22 - February 7, 2027
To Sign Up: Sign Up to Audition
Requirements:
Roles Available: Casting Details: 6M/5W

Hercule Poirot (Male-presenting / late 40s - early 70s) - Belgium. Fiercely intelligent, quirky, probing, agile, with a delicate wit and old-world European charm. Should be able to take the audience into his confidence immediately.

Bouc (Male-presenting / late 40s - early 70s) - Belgium. Charming and sophisticated, with a heavy dose of histrionics when he gets upset.

Mary Debenham (Female-presenting / late 20s - late 40s) - English. Cool, calm, intelligent. Her eyes are always probing the other characters, especially Poirot.

Hector MacQueen (Male-presenting / late 20s - late 40s) - American. Terrifically nervous and slightly insufferable. The type of person who always feels guilty even when they’re 100% innocent.

Michel (Male-presenting / mid 30s - mid 50s) - French. Happy in his job; capable, slightly proud; his strength is being an enigma

Princess Dragomiroff (Female-presenting / early 50s - mid 70s) - Russian. Regal, refined, old-world aristocracy. The type of presence that inspires genuflection. She doesn't move fast or say much because she doesn't have to.

Greta Ohlsson (Female-presenting / late 20s - late 50s) - Swedish. Devout and devoted; there is a conspicuous humility to her; wears her faith on her sleeve.

Countess Andrenyi (Female-presenting / late 20s - early 30s) - Hungarian. Quiet, elegant, with a constant air of mystery to her.

Helen Hubbard (Female-presenting / late 40s - early 60s) - American. Bold, brassy, constantly in charge. She is the center of attention even when she's trying to blend in.

Colonel Arbuthnot (Male-presenting / late 20s - early 40s) - Scottish. Proud, dignified, short-tempered and strong-minded. Suspiciously protective of Mary Debenham.

Samuel Ratchett (Male-presenting / early 40s - early 60s) - American. Gauche, brash, repugnant, always with an undercurrent of intimidation. You should feel uneasy about him from the moment you lay eyes on him.

Compensation: All roles are compensated with a performance stipend, and we currently welcome non-Equity performers.
Originally Posted: 2026-10-10